All tagged historical fiction

I was surprised when the public librarian in a small town in Virginia rejected the idea of placing my novels in her library, saying, “They’re too regional—they’re all set in the Texas Panhandle. I don’t think my patrons here in Northern Virginia are interested in stories that take place out West. They want stories set in their part of the country.”

I can’t say that she was wrong about her patrons. Maybe they really are that limited in what they will read. But she certainly was wrong in saying that a story can be “too regional,” and for that reason would not be of interest to anyone who is not from wherever the story takes place.

Good stories are timeless and “place-less.”

It seems that most people don’t ask themselves, “Who am I?” Most people know who their parents are—and their grandparents and even their eight great-grandparents. So it seems that they’re sure of their ethnicity, religion and nationality. So it seems if you ask most people whether they know who they are, they’ll suppose it’s a trick question, and they’ll answer you unabashedly, “Sure, yes—of course I know who I am!”  But some people are not so sure.

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“[Good-bye] to officers who put ‘duty’ above ‘ethics,’ and to the troops who regularly complained that the Army’s Rules of Engagement were too strict—as if more brutality, bombing and firepower (with less concern for civilians) would have brought victory instead of stalemate.”

Words of Major Danny Sjursen, West Point graduate, who retired in 2018, after 18 years in the Army and 11 deployments, often to war zones. Words very unusual for a multi-medalist soldier who was teaching history at West Point. He had become a disillusioned pacifist after what he saw in his deployments to Iraq and Afghanistan—and he gave up his once-promising career, in order to speak out.

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Through the stories I tell in my novels, which are centered in-and-around the fictitious town of Mackenzie, I narrate the history of Amarillo, Texas and the Texas Panhandle, but using the genre of historical novel, rather than using so-called objective history. Each character embodies a different part of the region’s society, culture and history, during the last decades of the nineteenth century and the first half of the twentieth.

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